तमनाएं

कुछ तम्मनाये अधूरी रहे तो अच्छा है
zindagi yunhi सफ़र में रहे तो अच्छा है
भूल जाते है हम खुदा को आपनी तमनाओ में
उसकी रज़ा में ही सब हो यही अच्छा है
मैंने भी कभी तुझे भूलने की कोशिश की
तभी शायद आंसुओं के समंदर ने मेरी ज़िन्दगी में शिरकत i
आज खुली फिजा में भी घुटन लगती है
न जाने क्यूँ अपने देश की हवा ही बेमानी लगती है
यह पता था मुझे की तुम रास्ता बदल जोग्ये
फिर भी न जाने क्यूँ तेरी वो हस्सी मुझे आज भी आपनी सी लगती है

soch Kaise kaise

Kabhi kabhi har din kitna bozil sa lagta hai. Koi samachar padh kar lagta hai ki kyun roz vahin kahaniya dohrai jati hai? kyun roz hi ek hi natak ko naya naya labada odha kar pash karna padta hai. isi baat ko soch soch kar to sab se man pasandida kaam akhbaar padhna bhi ubau lagne lagta hai. Per fir bhi hain to insaan hi na jo nahi karna usi per dyaan rahta hai aur roz hum fir subha uthe hi akhbaar padhna shuru kar dete hai.

Itna he nahi dil aur dimaag ko nhi to ek i jagha rakhne ki kitni joothi koshish karte rahte hai hum, lekin vo fir se ulti dishao main hi bhtakte rahte hai. Agar dil kahega yeh karna hai to dimaag ulta chalega. Aur hum aur aap bus khud ko in dono ki kashmkash main piste hue dekhne k ilava kuch kar hi nahi pate. Per chalo aacha hi hai kisi kaam main to lage rahte hai dil aur dimaag nahi to inke pass hume tang karne k ilawa kaam hi kya rakha hai chalo theek hi hai isi bhane hum bhi thoda sa kuch naya karne ki koshish kar lete hai, nahi to agar rozana zindagi ki tarha hum khud se hi Ubne lage to .......?

Ajnaabi

Ajnaabi raho main nikle the,

teri tamanna kar mere humkadam,

tum door nikal gaye gairo ki tarha,

hum to bus dekhte rahe tere nishaan-a-kadam.

Bhatke kuch is tarha dagar se,

apna naam-o-nishan bhi na mila,

teri aarju main aise tute k judne ka aasar bhi na raha.

A real picture of society '7 khoon maff' Read more: http://shelly_sood.instablogs.com/entry/a-real-picture-of-society-7-khoon-maff/#ixzz1EfDxzeE3

Director: Vishal Bhardwaj
Actors: Priyanka Chopra, Neil Mitin Mukesh, Irrfan
The most awaited movie ” 7 Khoon maff” of Vishal Bhardwaj is a such a wonderful movie. Priyanka gave his wonderful performance and there will be no doubt if she get a National award for this movie. This showed the actual picture of the so called modren world. neil nitin mukesh and irrfan also did best. Music was the real attraction for the viewers. however this movie got the mix response from the audience but it is one of the good movie of this new year.
The words spoken by Priyanka as SuSan in the movie actually depicts the mentality of human beings. because they are always in search of a lot of things whether its love or money. Satisfaction for human is nowhere. this is not the only thing that has became the plot of the movie. End of the movie was much expected. In a total summary movie is good to see but not for those who only want to pass their or just want a time pass. its a movie with a lot of questions and thoughts and the picture of fast changing customs needs of human beings and traditions too

Read more: http://shelly_sood.instablogs.com/entry/a-real-picture-of-society-7-khoon-maff/#ixzz1EfEA6QE4

Still Children away from Education

The government has introduced the RTE (Right to education)in 2009. But still it seems of not much worthy. Many of the reports from various news sources shows that approximate six billion children are away from education. Although communities and society/families can workout to set school Committees for providing education to the needy ones,But yet they are not fully aware about all this due to the lack of awareness. This seems to be a big obstacle in the way of RTE.It has an important role to play in ensuring child-friendly education for each and every one of the estimated 190 million girls and boys in India who are of elementary school age.

What RTE Says
The RTE Act, 2009 seeks greater involvement of communities in school development and management. The Act therefore makes the creation of a School Management Committee (SMC) mandatory for all schools.
School Management Committees are made up of parents, local authorities, teachers and children, with 75 per cent of members being parents and 50 per cent women.
Each committee will develop a School Development Plan for three years and will work with the local authorities and teachers to make the school child-friendly, including special provisions for out-of-school children and children with special needs.
But the actual picture is quiet different in most of the states. even in the so called financially good conditioned states. most of the states are not working on a satisfactory level for RTE and for the other programs planed for the elementary students.

Read more: http://shelly_sood.instablogs.com/entry/still-children-away-from-education/#ixzz1Ef2ba5eY

Holi celebration with dance colors

HOLI the festivals of colors and affection that helps to dissolve all the anger with our loved ones। One day before the eve of holi the Ludhiana people enjoyed this with a Malaysian dance trope (the Sutra dance theatre). This group is based in Kuala Lumpur and has also performed in Nishigandhi Festival in Kerala and Konark festival Bhuvneshwar. This is internationally known dance group that has already performed in Chandigarh, Kerala, Ahemdabad; Ponddichary, Guwahati. In case of industrial city, the credit to have them for the city people goes to The Ludhiana sanskritik samagam (LSS).
Ramli ibrahim the main artist and the director of the theatre group said that they performed odissi dance for the Punjabi audience because they are the real appreciator of Indian dances. They have the theme of Spellbound for this special eve. Spellbound offers audiences a wide repertoire of Odissi, especially commissioned from Guru Durga Charan Ranbir and rearranged into a stunning group composition by Ramli to suit the contemporary audience. While the group was performing on the stage (at Guru Nanak Bhavan) the audience seems to be on their toes to join them for the marvelous performance. In a personal meet with the press Ramli said that his association with Odissi dance from goes back to 1970s when he started studying comparative philosophy and religion in Australia adding-” India was pivotal when I started my research that took me to Orissa and the artiste in me fell in love with the state popularly referred to as the land of temples.” He said he constituted his troupe of artistes who with their commitment are now well versed with Odissi repertoire and have successfully performed for Indian, Malaysian as well as international audiences. The well versed artiste on the stage depicts the exact lyrical mood to its brightest part easily by their unforgettable performance.

Origin of Odissi Dance

Odissi is an Indian classical dance style from the eastern state of Orissa in India, being apart of the ancient Odra Marathi style of dance from the eastern region. There is evidence that Odissi was danced in the temples of Orissa as far back as the 2nd century BC. Originally performed as a sacred ritual dedicated to the Gods, Odissi is marked by sensuousness and lyricism, soft, graceful and flowing movements that reflect the divine sculptural motive of the temples of Orissa.
Odissi owes its origin to the temple dances of the devadasis or temple dancers, whose earliest mention dates back to 10th century A.D. Female attendants of the temple, known as Maharis, danced for the Gods at various times of day to accompany various rituals of the temple deity. This dance was to the accompaniment of Mardala or the pakhawaj, small cymbals, flute and veena, a string instrument like the sitar.






Sutra dance group
Sutra Dance Theatre is based in Kaula Lumpur, Malaysia and is recognized as the leading creative performing arts institution in Malaysia. Artistic Director, Ramli Ibrahim and his Sutra Dancers have become a household name in raising the status of dance in Malaysia to what it is today. Sutra’s multi-racial dancers of Malay, Indian, Chinese and mixed races, speak well of dance transcending racial and cultural barriers.