I ME AUR MAIN

Director: Kapil Sharma

Producer:  Shrishti Arya , Goldie Behl

Music Director: Pritam Chakraborty , Sachin , Jigar , Gourov Dasgupta

Lyricst: Nilesh Mishra , Mayur Puri , Manthan , Manthan

Singers:--Neeraj  ShridharMonali ThakurShaanAbhishek NailwalFalak ShabirAnushka Manchandani

I Maine Aur Main picture show is that the story of a young man vie by John patriarch UN agency could be a individual, and falls enamored with 2 ladies, Prachi Desai and Chitrangada Singh.

A slice-of-life film supported the choice of a young man and his life partner. 

The picture show starts with Ishaan UN agency could be a magnetic, beautiful music producer from Bombay. He lives a secure existence, is that the centre of his life, the apple of his mother\'s (Zarina Wahib) eye, continually protected by his elder sister Shivani (Mini Mathur) and stays at his girlfriend Anushka\'s (Chitrangda Singh\'s) house. He takes all of them for granted!

But there comes every day once his life falls apart sort of a house of cards. bored stiff of his sexy nature and being taken with a pinch of salt, his girlfriend throws him out of her house. 

He moves into a unsound house, his mother leaves his father and moves in with him, his sister and his ally ar upset with him and his new boss Beena (Raima Sen) asks him to resign. His ego is severely broken and his confidence agitated.

At now, his new neighbour Hindu deity (Prachi Desai) comes into his life and from her he learns the importance of relationships. He starts taking initiatives towards mending and maintaining his past relationships.

Ishaan begins to actually fall enamored with Hindu deity. There comes a degree once he should build a selection between his love that created him an improved person or being an improved person by taking responsibility of the actions he has drained the past.

Profile of Nirmal Rishi - a Punjabi theater and TV artist

Career History
1966 to present
Stage, Television and Film Actor
Trustee, The Harpal Tiwana Foundation
Member, The Harpal Tiwana Memorial Society

Distinction and awards

•Award by Punjab Language Dept. for Shiromani adakara 2000.
•Arts council award for contribution to punjabi theatre 1989.
•Honoured with Samita Patil award for contribution to acting 1999.
•Recognized by Calgary Sikh Institute for contribution to Punjabi 1994।

•Recognized by Chicago Gurudwara Committee 1995.
•Recognised for punjabi play “Saavi” Performed at the Punjab Vidan Sabha 2006.
•Honored at the Mohan Singh Mela for contribution to Punjabi performing arts 2003.
•Honored with prestigious “Canadian Flag” honor by the MP Mr. Bains in Toronto.
•Honored at Toronto by Punjab Media Groups such as vision of Punjab and Punjab Art Association for contribution to Punjabi culture।

•Play “Dukhday kaleeray was extensively performed in major cities of Canada.
•Play “Maa Mainu Mari Na” performed in Punjab and U।P.

Achievement as Cine Actoress

•“Gulaboo Massi” in Punjabi film Long Da Lishkara.
•“Jindo” in punjabi film Diva Bale Sari Raat.
•“Bhago Bhua” in punjabi film Ucha Dar Babe Nanak Da.
•“Chachi “ in Suneha.
•“Bua” in Jigra Jat Da.
•“Mother” in Sheran De Put Sher।

•“Mother” in Jat Jodhe.
•“Mother in law ” in Sharike.
•Appearance in Mela.
•“Mother” in Sat Sri Akal.
•“Mother in law” Akhiyan Udeek Diyan.
•“Wife” in Women From The East।

Television Series अच्तेद

•Do Akal Garh
•Aoni Mitti
•Gaundi Dharti
•Tension Nahi Lena
•Nazare Nazare
•Nanak Nam Charrdi Kala.
•Billiyan Ch Bandar

Telefilms अच्तेद

•Baap Bechara Ishq Ka Mara (Hindi)
•Sanjhi Deewar (Hindi, Punjabi)
•Gulabo (Punjabi)
•Dhiyan Dhan Begana (Punjabi)
•Eh Tera Apman (Punjabi Feature Film For Doordarshan)

Stage Performances

Lead Role In:-
•Dug Dugi Payee Vajdee
•Foolish King
•Adhure Sapne
•Father
•Chamkaur Di Garhi
•Long De Lishkara
•Diva Bale Sari Raat

•Masti Di Raat
•Garam Bazar
These plays were performed all over Punjab and many of them toured all over India and abroad including countries like U।K., Canada and US.

Academic अचिएवेमेंट्स

•M.Phill Punjabi University Patiala 1989.
•Diploma in performing arts from Mr. Harpal Tiwana’s Acedmy At Punjabi Bhawan Ludhiana 1976.

काई पो चे पैसा वसूल फिल्म

राय --- चेतन भगत के नोवेल थ्री मिस्टेक्स ऑफ़ माय लाइफ पर आधारित काई पो चे पैसा वसूल फिल्म तो है! दोस्ती,राजनीति और असल ज़िन्दगी की हकीकत से रूब्रो करवाती यह फिल्म हर वर्ग के लिए है! क्यूंकि कही न कही समाज का हर वर्ग इस से जुदा हुआ है!  हालाँकि नोवेल पढने मैं और फिल्म देखने मैं बहुत सारी  बाते  आपको अटपटी लगयेगी, परन्तु फिर भी फिल्म मैं जितना दो घंटो मैं दिखाया जा सकता था उतना दिखाया है! हाँ अगर नोवेल की तरह फिल्म  मैं भी अली के ऑस्ट्रेलिया जाने के दृश्यों का दिखाया जाता तो शायद और भी अच्छा  होता ! फिल्म मैं नोवेल के मुख्य पत्रों को भलीभांति परस्तुत करने की कोशिश की गयी है, जोकि काफी हद तक उचित भी रही! हालाँकि जिन्होंने नोवेल पढ़ा है उनके लिए यह उतनी तन्मयता से देखने वाली फिल्म नहीं है जितनी तन्मयता से नोवेल पढ़ा गया होगा! परन्तु इसे एक पैसा वसूल फिल्म की कतार मैं रखा जा सकता है!

                  

        जहा तक अभिषेक कपूर के निर्देशन क्र बात है उन्होंने सही और सटीक काम दिखाया है ! नोवेल मैं छुपे सोहार्द के सन्देश को बखूबी प्रदर्शित किया है! नोवेल कस जिन तथ्यों को अभिषेक द्वारा प्रदर्शित नहीं किया गया उन्हों ने फिल्म को कही से बी अधुरा साबित नहीं किया! हलाकि नोवेल पढ़े हुए दर्शको के लिए अंत अलग रहा परन्तु विषये वास्तु के अनुसार ठीक और सटीक है! फिल्म मैं संगीत भी काफी सटीक और कर्णप्रिय है!   फिल्म हलाकि एक ही रफ़्तार से चलती है पैर फिर भी उबाऊ बिलकुल बी नहीं लगती! अगर फिल्म मैं विद्या आज की लड़की को दिखाती है तो तीनो दोस्त आज के युवा पीढ़ी को जो युवा अवस्था मैं पाऊँ रखते ही बड़े बड़े सपने देखते है और उन्हें पूरा करने के लिए या तो जी जान लगा देते है या फिर आपने जोश मैं होश खो देते है! जिसके बाद उनके पास ओमी की तरह पछताने क लिए कुछ बी नहीं बचता!                                               

                                 एक और बात जो फिल्म मैं चे एक छोटा सा दृश्ये ही है परन्तु गंभीर विषये को दिखता है! वो है स्चूल्स मैं खेलो के परती अनदेखी वाला विय्व्हार! हलाकि खेल हमें साच मैं ज़िन्दगी के अहम् सबक देता है फिर भी हमारे देश मैं अभी भी इसके लिए बहुत कुछ होना बाकि है! हलाकि क्रिकेट तो एक पार्टिक मात्र है असल मैं हर खेल के लिए युवाओ को पररित करना जरुरी है! अगर ईशान के शब्दों मैं देखे तो खेल से ही बहुत साडी खुभिया बचू मैं आ सकती है! खेल भी पढाई मैं अवल आने जितना ही मुश्किल और म्हणत वाला काम है!

निर्देशक -- अभिषेक कपूर लेखक - चेतन भगत (नोवेल),अभिषेक कपूर सितारे --- अमित साध , सुशांत सिंह राजपूत , राजकुमार यादव

expression: एक कहानी -दिल की जुबानी

expression: एक कहानी -दिल की जुबानी

Mera Ehssas

 Aaj mudaton ke baad dil ko sakun aaya hai, 
Bhule se hi sahi per Dil main tera naam aya hai !
log kehte hai hum bepervah ho gaye hai, 
per kya bataye unhe k hum aapne se juda ho gaye hai,
manzilon ki tamana thi kabhi, per ab raaston pe bhatakte, 
teri aashiqi ko shiddat se ab mahsus kiya hai,
isliye tere jane ke baad tere liye tadapte hai !
Kabhi Kabhi dil chahta hai pane ko tujhe,
per tuta patta shakh se kaab jud paata hai!
yehi dard hai jo kabhi tumne bayaan kiya tha,
per na jane kyun mere dil ne sunne se manna kiya tha!
Tujhe yaad karke dil aaj sakun paata hai,
per na janne kyun chah kar bhi yeh dil tujh he bulata hai!!!!!!!!!!!

dil se.........

Dil na jane kyun udaas hota hai,
jab koi aapna paas nahi hota hai,
hamne to bahut koshis ki,
unhe aapne pass rakhne ki,
per parindo ka kab koi thikana hota hai!
Ghar banate hai vo kuch pal rukne k liye,
pardesi hai vo ,
unhe to har haal main udna hota hai.............

Reservation Must Be Abolished!!!!!!!

Reservation! A word that shows an ease for those who are helpless. Because it makes easy for some people to gain sympathy of others. But Do we think that this is the main reason behind our country is not becoming a developed country. Because We just go for caste why not we go for abilities? Here i Am not saying they are not capable but ths is the one of the thing that is becoming a hot case for the selfish politicians. those who are making this an issue for election and even for the fulfillment of their evil deeds. 

We have seen many cases that an meritorious student has not got seat in government college just because is down from the merit cut list of the college. But the minorities or the reserved category student got the admission even after less no.'s. Why. Here the question is Why a 60 or 68 % general category student does not get admission and the 45 or 50 % category student get entertained.

Even Why we go for reservation on gender base. If we believe men and women are equal then let them grab the opportunities with their hard work and capabilities.that must be follow on each and every level for every person..